Laciann Delacroix did not begin as a brand.
It began as a quiet instinct to create beauty from memory.
I grew up tracing beauty through imagination—sketching gowns and jewels long before I ever touched a needle, leather, or stone. The women who inspired me lived somewhere between history and myth. Some were my ancestors. Others were figures I imagined when I needed courage.
They taught me that creation can be a form of devotion.
That instinct carried me across continents.
I studied design and direction at Central Saint Martins in London, where I first began to understand how craft and concept could live together. In France, I learned to observe texture and patience in materials. In Italy, I shaped my first raw stones with fire and intention and created my first piece of jewelry.
But more importantly, I began to understand that objects carry stories.
When I later arrived in Los Angeles, I felt a new chapter open. The light, the ocean, and the culture of reinvention encouraged me to bring together the different languages that had always lived inside me—design, writing, philosophy, and craft.
From this convergence, two worlds slowly took shape:
Laciann Delacroix
and
Univers Elian.
Laciann Delacroix became a house of objects—garments, leather, jewelry, and small things meant to accompany a life.
Univers Elian became a space for ideas—books, music, and reflections about love, memory, and becoming.
Both are part of the same philosophy.
Objects are not merely possessions. They are witnesses to a life lived: a bracelet worn through seasons, a garment that remembers a place, a notebook that carries a thought that once mattered.
The first series of this world, Ours, began as a novel and gradually grew into a larger universe of stories, music, and reflection. Through it emerged Elian, a quiet guiding voice that continues to shape the spirit behind the work.
Today, everything created within this house—whether a piece of jewelry, a garment, a book, or a line of music—belongs to the same intention:
to create objects and stories that remain.
Laciann Delacroix is not simply design.
It is a practice of devotion to beauty, memory, and meaning.
Objects, garments, and writings—made slowly.